visualization variations
visualization variations
free-parking:

James Turrell, Afrum-Blue, site-specific light projection, 1967
burnedshoes:

© David English, 2010s, Ultra-Wide Monochrome
See more of his amazing photographs and read about his work on the Leica Blog and on his website. Very inspirational stuff there!
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foxmouth:

Selected Photography by Carine Wallauer
foxmouth:

Selected Photography by Carine Wallauer
foxmouth:

Selected Photography by Carine Wallauer
foxmouth:

Selected Photography by Carine Wallauer
foxmouth:

Selected Photography by Carine Wallauer
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atavus:

Simeon Nelson - Plenum, 2010-2012
atavus:

Simeon Nelson - Plenum, 2010-2012
atavus:

Simeon Nelson - Plenum, 2010-2012
atavus:

Simeon Nelson - Plenum, 2010-2012
jennywildfang:

Jenny Wildfang
2013
pingszoo:

Thank you for all the fun times and sweet emails! <3 #pickmeuplondon
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razorshapes:

Austin Kamps | Tumblr
razorshapes:

Austin Kamps | Tumblr
razorshapes:

Austin Kamps | Tumblr
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razorshapes:


Dominic H. Nguyen - Gun (2009)
Artist’s statement:
“Gun is the reduction of an action to the human hand –a search for reality. It is an exercise in futility and a map of the accumulation of debris over time. The absurdity of throwing ash acts as a metaphor for man’s obsession with the unattainable, offering a glimpse at base human nature. The aggression of the gun is echoed by the hand’s sudden arrival into the frame, yet its insufficiency is quickly revealed by the ephemeral nature of the ash. Gun demonstrates a discontinuity in the paradigm of cause and effect, where the hostile action produces a passive result.”
razorshapes:


Dominic H. Nguyen - Gun (2009)
Artist’s statement:
“Gun is the reduction of an action to the human hand –a search for reality. It is an exercise in futility and a map of the accumulation of debris over time. The absurdity of throwing ash acts as a metaphor for man’s obsession with the unattainable, offering a glimpse at base human nature. The aggression of the gun is echoed by the hand’s sudden arrival into the frame, yet its insufficiency is quickly revealed by the ephemeral nature of the ash. Gun demonstrates a discontinuity in the paradigm of cause and effect, where the hostile action produces a passive result.”
razorshapes:


Dominic H. Nguyen - Gun (2009)
Artist’s statement:
“Gun is the reduction of an action to the human hand –a search for reality. It is an exercise in futility and a map of the accumulation of debris over time. The absurdity of throwing ash acts as a metaphor for man’s obsession with the unattainable, offering a glimpse at base human nature. The aggression of the gun is echoed by the hand’s sudden arrival into the frame, yet its insufficiency is quickly revealed by the ephemeral nature of the ash. Gun demonstrates a discontinuity in the paradigm of cause and effect, where the hostile action produces a passive result.”
razorshapes:


Dominic H. Nguyen - Gun (2009)
Artist’s statement:
“Gun is the reduction of an action to the human hand –a search for reality. It is an exercise in futility and a map of the accumulation of debris over time. The absurdity of throwing ash acts as a metaphor for man’s obsession with the unattainable, offering a glimpse at base human nature. The aggression of the gun is echoed by the hand’s sudden arrival into the frame, yet its insufficiency is quickly revealed by the ephemeral nature of the ash. Gun demonstrates a discontinuity in the paradigm of cause and effect, where the hostile action produces a passive result.”